A fascinating story of writing across cultures and time While other ancient nonalphabetic scripts—Sumerian cuneiform, Egyptian hieroglyphs, and Mayan hieroglyphs—are long extinct, Chinese characters, invented over three thousand years ago, are today used by well over a billion people to write Chinese and Japanese. In medieval East Asia, the written Classical Chinese language kn...(展开全部)

CJKV Information Processing, the unsurpassed source of information on processing text in Chinese, Japanese, Korean, and Vietnamese, has been thoroughly updated to provide web and application developers with the latest techniques and tools for disseminating information directly to audiences in East Asia. This second edition reflects the considerable impact that Unicode, XML, Ope...(展开全部)

CJKV Information Processing is the definitive guide for tackling the difficult issues faced when dealing with complex Asian languages -- Chinese, Japanese, Korean, and Vietnamese -- in the context of computing or Internet services. Unlike the English alphabet with a mere 26 letters, these complex writing systems use multiple alphabets comprising thousands of characters. Hand...(展开全部)

What happens when language wars are not about hurling insults or quibbling over meanings, but are waged in the physical sounds and shapes of language itself? Native and foreign speakers, mother tongues and national languages, have jostled for distinction throughout the modern period. The fight for global dominance between the English and Chinese languages opens into historical ...(展开全部)

In the more than 3,000 years since its invention, the Chinese script has been adapted many times to write languages other than Chinese, including Korean, Vietnamese, Japanese, and Zhuang. In Sinography: The Borrowing and Adaptation of the Chinese Script, Zev Handel provides a comprehensive analysis of how the structural features of these languages constrained and motivated meth...(展开全部)

李丹丽（Denise Patry Leidy）， 大都会艺术博物馆亚洲艺术部布鲁克·鲁塞尔·阿斯特专席研究员。参与策划了中国文物方面的重要展览十余次。 译者简介 丁雨，北京大学考古文博学院助理教授，主要研究方向为宋元明考古、陶瓷考古。

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines mul...(展开全部)

The Chinese way of appreciating a painting is often expressed by the words du hua," to read a painting." How does one do that? Because art is a visual lanuage, words alone cannot adequately convey its expressive dimension. How to read Chinese Paintings seeks to visually analyze thirty-six paintings and calligraphies from the encyclopedic collection of the Metripolitan Museum of...(展开全部)

The Chinese often use the expression du hua, “to read a painting,” in connection with their study and appreciation of such works. This volume closely “reads” thirty-six masterpieces of Chinese painting from the encyclopedic collection of The Metropolitan Museum of Art in order to reveal the major characteristics and themes of this rich pictorial tradition. The book examines mul...(展开全部)